I'm happy to announce that Hieropice is now Hieropice™!
We are officially trademarked baby! Yeah!
We are officially trademarked baby! Yeah!
where users have styled ensembles with Hieropice pieces, as well as my
local craft-show itinerary, links to my blog, and a gallery of custom
pieces I've made in the past. I get to control the look and feel of the
site, and make it match my brand.
But for things
that I connect with in an intimate way, handmade matters. When I go out
to eat at a restaurant, I think about what I'm consuming, where things
were grown, even what the creatures I'm consuming consumed when they
were alive! I think about how a dish was prepared, how the surface it
was prepared on was prepared, what herbs, spices, fats, proteins and
vegetables went into it, the manner in which it was cooked. Most of us
have thought more about these things as our knowledge of the effects of
food on our bodies and our environment has grown. We care where our
food comes from, and what's in it, as we care about what it does to us,
to those around us, and our environment. And we appreciate being able
to ask the people who grew it, prepared it, cooked it, served it,
questions about it. And knowing that someone is accountable for it.
For
example, there are materials often used in jewelry, like coral and
diamonds, that have controversial histories. Some diamonds originate in
areas where violence and exploitation play a major part in their
acquisition, and some coral is harvested with methods that destroy
environmentally-critical coral reefs. For me, as a handmade-maker who
is accountable, I could never be comfortable with selling pieces that
include materials with those origins. Because I value my work, and am
focused on its quality versus the monetary gains it might provide, and I
know that my customers would also expect me to make my pieces
responsibly, I try to ensure that my work reflects my values. And if,
at any point, I discover a material I'm using has origins I cannot
support, I have an obligation to discontinue using it. Like most
handmade artisans, I am a singular, accessible artist. There's no
corporation for me to hide behind with an endless labyrinth of
communication barriers, no machinery that must be re-designed or
dismantled in the event of a production concern, no "bottom line" I'd
have to consider before removing a questionable material from my work.
There's just me!
And there's always a story behind a handmade piece, which in itself,
has value. I have always loved nature, and when I learned how to make
full-size terrariums; natural environments encased in glass with soil
and charcoal and plants and moss, I was SO excited to share them with
people. But while friends, family, and customers appreciated the beauty
of those terraria, they expressed fear that they'd be unable to keep
the plants lush and green and alive! So I came up with a concept that
would allow fellow nature-lovers to keep an encapsulated natural
environment with them, without the maintenance. And building the
miniature terraria allowed me to imagine more and more tiny
environments, some that I'd never be able to capture in nature, like the
Winter White Terrarium Necklace
Hmm. Reading that gave me pause. Etsy
administrators held a "town hall" where they explained how this new
version of Etsy would function, with sellers now able to send designs
overseas to be manufactured, to have items shipped from other locations
directly to their customers. For some of my Etsy friends, this means
wonderful things, like they can now sell books featuring their original
illustrations on Etsy. But the policy change also means that a person's
hands don't actually need to participate in the creation of the items
they sell on Etsy. Items can be manufactured by machines, and by their
essence, not handmade. The shop owner has to participate in the
creative process of their items, but there's no definition of that
participation. For some, that could be simply choosing the color chair
or dress they want made out of a manufacturer's catalog. And when the
items I make contain all of the tenets of handmade I described above,
and are in a "handmade" marketplace alongside items that are being
pumped out by a factory, it troubles me. I know that major designers do
this typically; Karl Lagerfeld and Diane Von Furstenburg don't sew a
single stitch on the garments that bear their names. And it has
honestly always bothered me! It seems to be the mark of becoming
majorly successful as an artist, to become increasingly disconnected
from your work. At the same time, major designers aren't selling their
items in a "handmade marketplace," nor claiming they hand-make them
themselves. Etsy has made its name as the preeminent handmade
marketplace. But when items are losing multiple essential elements of
handmade; the hand-labor, the uniqueness, the story, the accountability,
etc., they no longer meet my expectations of handmade. So, while I'm
keeping Hieropice on Etsy open, I've created Hieropice.com
to honor true handmade, and all that that entails. Etsy is a fine
marketplace, that still contains a great deal of truly handmade items,
and still deserves your patronage. There are many dedicated artists who
sell on Etsy, including me! But Hieropice.com will be a handmade venue
exclusively featuring my work, and I hope that you'll support it (and
true handmade), as well!
I've so appreciated all the love folks have shown me, and support for Hieropice. I think, as an artist, you've got to keep innovating,
changing, doing new things, to keep your brain from atrophying, or
burning out. As I was making one of many made-to-order terrarium
necklaces recently, I thought, man, I am working SO small, the vessel is
so tiny, I really wish I could expand this and create a whole landscape
in this thing! And my next thought was, um.....I can! So, I started
thinking about ways to create miniature landscapes under glass, and for
some reason, the first thing that came to mind was Tucson, Arizona,
where I lived after high school. The desert there was the most
surprising place I'd been to-date; contrary to my impressions from back
East, it was not "deserted" at all, but full of life, and amazing
shifting color palates that revolved around the movements of the sun. I
saw more shapes, colors and textures in the desert than any landscape
I'd encountered previously, and an abundance of plants with romantic
names like "agave" and "ocotillo." And weird things, inexplicable stacks of boulders balanced on the edge of a cliff, oversized cactus blossoms that only bloom at night and just once a year, and an aspen forest, covered in snow at the peak of Mt. Lemmon in the middle of the city, while miles below, it was eighty degrees and sunny.![]() |
| Barrel Cactus Detail |
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| Agave Detail |
The sun is finally out, on a
regular basis, here in New England. The sun and I have a troubled
relationship (I'm allergic) but I'm still glad to see it! Things are
blooming, and my allergies are punishing me, but I'll take it! It's
Summer show season, and I can get back to taking photos for Hieropice
outside, in gorgeous natural light. Doing that in January was brutal.
We're just coming out of a tricky, scary period here in Boston, and I'm
happy to feel good about going outside again. After the Boston Marathon
bombings and the manhunt for the bombers that followed, we were on
lock-down here in my neighborhood as they turned up about 10 minutes
away, in Watertown. We were prohibited from leaving our homes, and it
turns out the local man who they car-jacked in their escape attempt was
car-jacked two blocks from my house. I have several friends who live in
the neighborhood that was a constant fixture on the news for days, as
the police exchanged gunfire with the bombers and searched for the
surviving bomber in resident's homes. Everyone I care for is safe,
thankfully, and I'm relieved the worst is over.
On a positive
note, on May 18th, I'm taking on my first craft show as Producer, and
I'm quite nervous, and excited about it! I've been reaching out to all
the artists' whose beautiful work I've seen at shows, purchased on Etsy,
found in consignment shops like Boutique Fabulous and Magpie,
or elsewhere online, and asking them to apply for the May 18th show,
particularly those with Etsy shops. Somerville Beat interviewed me about the show, and did a great piece on it here , wherein they featured my Orange Flower Terrarium Necklace
and we chatted about the vision behind the Assembled show on the 18th.
And, I'm even more excited about some new, one-of-a-kind pieces that
I'm about to launch. I'm finishing them up now, and can't wait to show
them off, I'm really proud of how they've turned out and they're really
different/unique, which is my constant goal.
We have strong associations between the color white and the Winter season, perhaps because of the snow and ice and absence of the colorful flowers of Spring or bright leaves of Autumn. There are all these (supposed) fashion rules about colors and their corresponding seasons, wear vivid colors in Spring, muted colors in Winter. Green, orange, yellow are supposedly Spring/Summer colors, while navy blue, grey, and black are for Winter. Meh! I think we need color most in Winter, when it's hard to find, when our moods could really use a boost. But nonetheless, our associations are what they are.
So, I created a new Mini Terrarium Necklace, in the signature pink of the cancer awareness movement, to help Jaime raise funds for the Komen 3-Day. 30% of all proceeds from the sale of this necklace will go to the Susan G. Komen Foundation. I hope you'll support their efforts, and Jaime's, and buy it! The break-throughs they may make could change our lives one day.